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Manglona Media Resources

Check out these resources on gender and economic equity:

Resources

 Books 

Books

MADELEINE ALBRIGHT, HELL AND OTHER DESTINATIONS: A 21ST-CENTURY MEMOIR (2020)

 

MOLLY BALL, PELOSI (2020)

 

SIMONE DE BEAUVOIR, THE SECOND SEX (1949)

PATRICIA BELL-SCOTT, THE FIREBRAND AND THE FIRST LADY (2016)

CATHY CAMBRON, THE WAY WOMEN ARE: TRANSFORMATIVE OPINIONS AND DISSENTS
OF JUSTICE RUTH BADER GINSBURG (2020)

OLIVIA CAMPELL, WOMEN IN WHITE COATS: HOW THE FIRST WOMEN DOCTORS CHANGED THE WORLD OF MEDICINE (2021)

 

JIMMY CARTER, A CALL TO ACTION: WOMEN, RELIGION, VIOLENCE, AND POWER (2014)

STEPHEN L. CARTER, INVISIBLE: THE FORGOTTEN STORY OF THE BLACK WOMAN LAWYER WHO TOOK DOWN AMERICA'S MOST POWERFUL MOBSTER (2018)

 

SHIRLEY CHISHOLM, THE GOOD FIGHT (1973)

SHIRLEY CHISHOLM, UNBOUGHT AND UNBOSSED (1970)

 

ELINOR CLEGHORN, UNWELL WOMEN: MISDIAGNOSIS AND MYTH IN A MAN-MADE WORLD (2021)

HILLARY RODHAM CLINTON AND CHELSEA CLINTON, THE BOOK OF GUTSY WOMEN: FAVORITE STORIES OF COURAGE AND RESILIENCE (2019)

CLAIRE L. EVANS, BORAD BAND: THE UNTOLD STORY OF THE WOMEN WHO MADE THE INTERNET (2018)

BETTY FRIEDAN, THE FEMININE MYSTIQUE (1963)

JANE R. FRIEDMAN, AMERICA'S FIRST WOMAN LAWYER: THE BIOGRAPHY OF MYRA BRADWELL (2019)

RUTH BADER GINSBURG, MY OWN WORDS (2016)

MARIE HICKS, PROGRAMMED INEQUALITY: HOW BRITAIN DISCARDED WOMEN TECHNOLOGISTS

AND LOST ITS EDGE IN COMPUTING (2017)

HERMA HILL KAY AND PATRICIA A. CAIN (ED.), PAVING THE WAY: THE FIRST AMERICAN LAW PROFESSORS (2021)

NANCY B. KENNEDY, WOMEN WIN THE VOTE (2020)

GERDA LERNER, THE GRIMKE SISTERS FROM SOUTH CAROLINA (1967)

TILAR J. MAZZEO, IRENA'S CHILDREN, (2016)

CHARLOTTE MONTAGUE, WOMEN OF INVENTION: LIFE-CHANGING IDEAS BY REMARKABLE WOMEN (2018)

PAULI MURRAY, SONG IN A WEARY THROAT: MEMOIR OF AN AMERICAN PILGRIMAGE (1987)

JILL NORGREN, BELVA LOCKWOOD: THE WOMAN WHO WOULD BE PRESIDENT (2007)

MAYA OPPENHEIM, THE POCKET GUIDE TO THE PATRIARCHY (2023)

ROBERTA OSTROFF, FIRE IN THE WIND: THE LIFE OF DICKEY CHAPELLE (1994)

CAROLINE CRIADO PEREZ, INVISIBLE WOMEN: DATA BIAS IN A WORLD DESIGNED FOR MEN (2019)

ANNE GARDINER PERKINS, YALE NEEDS WOMEN: HOW THE FIRST GROUP OF GIRLS REWROTE THE RULES OF AN IVY LEAGUE GIANT (2019)

SONIA PURNELL, A WOMAN OF NO IMPORTANCE: THE UNTOLD STORY OF THE AMERICAN SPY WHO HELPED WIN WORLD WAR II (2019)

ELEANOR ROOSEVELT, THE AUTOBIOGRAPHY OF ELEANOR ROOSEVELT (1961)

ROSALIND ROSENBERG, CHANGING THE SUBJECT: HOW THE WOMEN OF COLUMBIA SHAPED THE WAY WE THINK ABOUT SEX AND POLITICS (2004)

ROSALIND ROSENBERG, JANE CROW: THE LIFE OF PAULI MURRAY (2017)

TANYA L. ROTH, HER COLD WAR: WOMEN IN THE U.S. MILITARY 1945-1980 (2021)

JANANN SHERMAN, NO PLACE FOR A WOMAN: A LIFE OF SENATOR MARGARET CHASE SMITH (1999)

LYNN SHERR, FAILURE IS IMPOSSIBLE: SUSAN B. ANTHONY IN HER OWN WORDS (1995)

SONIA SOTOMAYOR, MY BELOVED WORLD (2017)

STACIE TARANTO AND LEANDRA ZARNOW (EDS.), SUFFRAGE AT 100:

WOMEN IN AMERICAN POLITICS SINCE 1920 (2020)

LOIS BEACHY UNDERHILL, THE WOMAN WHO RAN FOR PRESIDENT:

THE MANY LIVES OF VICTORIA WOODHULL (1995)

MARY WOLLSTONECRAFT, A VINDICATION OF THE RIGHTS OF WOMAN (1798)

MARY WOLLSTONECRAFT AND GARY SHELLY (ED.), MARY AND THE WRONGS OF WOMAN (1976)

NELL MCSHANE WULFHART, THE GREAT STEWARDESS REBELLION: HOW WOMEN LAUNCHED A WORKPLACE REVOLUTION AT 30,000 FEET (2022)

MARILYN YALOM, A HISTORY OF THE WIFE (2001)

Movies

 Films 

Podcasts

 Podcasts 

Bayne, Allie and Katie Greenwood. HERstory on the Rocks. 
www.return2senderpodcast.com

Bentley, Cheryl-Lyn. Break Concrete: Black Women at Work. 

www.breakconcrete.com

 

Bernstein, Amy, Emily Caulfield, and Amy Gally. HBR Women at Work. 

www.hbr.org

 

Eckert, Kelsie and Brooke Sullivan. The Remedial Herstory Project. 
www.remedialherstory.com

 

The Gender at Work Podcast.

www.genderatworkpodcast.org

Gremlyn, Emlyn and Emma Dilemma. STEM Fatale Podcast.

stemfatalepodcast.podbean.com

Hafner, Katie. Lost Women of Science.

www.lostwomenofscience.org

Hamlin, Chrissy. The Hidden Herstory Podcast. 

www.Hiddenherstory.com

Kaplan, Jenny. Womanica. 

www.wondermedianetwork.com/originals/womanica

Leive, Cindi and Salamishah Tillet. Because of Anita.

www.wearethemeteor.com/work/because-of-anita

 Sutherland, Samantha. Women at Work. 
www.samanthasutherland.com.au

Vance, Joyce and Jill Wine-Banks, Barb McQuade, and Kimberly Atkins Stohr. #SistersInLaw.

www.politicon.com/podcast-title/sisters-in-law

Ahmed, Samira, We Change the Rules.

equalitynow.org/we-change-the-rules-podcast

Series

 Series 

Cable Girls (2017-2020)

Feud (2017)

Gentleman Jack (2019-2022)

Good Girls Revolt (2015-2016)

I May Destroy You (2020)

Maid (2021)

Mixte (2021- )

Mrs. America (2020)

Orange Is the New Black (2013-2019)

The Queen's Gambit (2020)

Self Made: Inspired by the Life of Madam C.J. Walker (2020)

Unbelievable (2019)

VIDEOS
Influencer Shooting a Video

 Videos 

The Four Justices: Justice Ruth Bader Ginsburg
06:01

The Four Justices: Justice Ruth Bader Ginsburg

Justice Ruth Bader Ginsburg was interviewed by Jan Smith, for the Smithsonian's National Portrait Gallery. Justice Ginsburg is depicted in the "The Four Justices" painting by artist Nelson Shanks, along with Justices Sandra Day O'Connor, Sonia Sotomayor and Elena Kagan. On October 28, 2013, the National Portrait Gallery celebrated the arrival of Nelson Shanks’s "The Four Justices," a tribute to the four female justices who have served on the U.S. Supreme Court. The work is monumental; it measures approximately seven feet by five-and-a-half feet (in its custom-made frame it is almost nine-and-a-half feet by eight feet) and holds the west wall of the National Historic Landmark Building’s second-floor rotunda. Of the work, NPG Chief Curator Brandon Fortune noted, “The National Portrait Gallery is honored to have such an ambitious group portrait on loan to the museum.” The work is based on sittings the justices had with Shanks; the two senior justices are seated and the recent appointees standing. Although the logistics of bringing three active and one retired justice into his studio was challenging, Shanks prefers to draw from life, which he feels brings each sitter’s distinct presence into his work. “If you can imagine a painting—no matter how facile—that doesn’t show character, something is missing,” Shanks noted in an interview with NPG. “Representation of character is really what counts to me.” Only men had sat on the bench of the Supreme Court until President Ronald Reagan appointed Sandra Day O’Connor in 1981. After O’Connor, the next woman to receive an appointment was Ruth Bader Ginsburg, a nominee of President Bill Clinton in 1993. President Barack Obama appointed Justices Sonia Sotomayor and Elena Kagan. Ginsburg, Sotomayor, and Kagan are still on the bench; O’Connor retired in 2006. Shanks’s oil on canvas painting is on loan to the National Portrait Gallery from Ian and Annette Cumming; they have also loaned their portrait of mezzo-soprano Denyce Graves by Shanks to NPG. Shanks is also responsible for two presidential portraits in the Portrait Gallery’s permanent collection: one of President Reagan created in 1989, and one of President Clinton painted in 2005.
How Justice O’Connor Ruled | Sandra Day O’Connor: The First | American Experience | PBS
04:35

How Justice O’Connor Ruled | Sandra Day O’Connor: The First | American Experience | PBS

Could a women’s nursing school deny admission to a male applicant? That was the question before the court in Mississippi University for Women v. Hogan. Although she had never presented herself as a feminist, she showed the world that the first woman on the Supreme Court was going to make a difference when it came to gender discrimination. Simultaneously, she revealed the powerful and pragmatic position she would come to hold on the bench. Official Website: https://to.pbs.org/3sfxXQ2 | #SandraDayOConnorPBS When Ronald Reagan nominated Sandra Day O’Connor as the Supreme Court’s first female justice in 1981, the announcement dominated the news. Time Magazine’s cover proclaimed “Justice At Last,” and she received unanimous Senate approval. Born in 1930 in El Paso, Texas, O’Connor grew up on a cattle ranch in Arizona in an era when women were expected to become homemakers. After graduating near the top of her class at Stanford Law School, she could not convince a single law firm to interview her, so she turned to volunteer work and public service. A Republican, she served two terms in the Arizona state senate, then became a judge on the state court of appeals. During her 25 years on the Supreme Court, O’Connor was the critical swing vote on cases involving some of the 20th century’s most controversial issues, including race, gender and reproductive rights — and she was the tiebreaker on Bush v. Gore. Forty years after her confirmation, this biography recounts the life of a pioneering woman who both reflected and shaped an era. This program is made possible by viewers like you. Please support your local PBS stations: https://pbs.org/donate Subscribe to the American Experience | PBS channel for more clips: https://www.youtube.com/AmericanExperiencePBS Enjoy full episodes of American Experience anytime, anywhere with the free PBS Video App: https://to.pbs.org/2QbtzhR FOLLOW US: Facebook: https://www.facebook.com/AmericanExperiencePBS/ Twitter: https://twitter.com/AmExperiencePBS/ Instagram: https://www.instagram.com/AmericanExperiencePBS/ Shop: https://shop.pbs.org/
The Four Justices: Justice Sandra Day O'Connor
05:26

The Four Justices: Justice Sandra Day O'Connor

Justice Sandra Day O'Connor was interviewed by Jan Smith, for the Smithsonian's National Portrait Gallery. Justice O'Connor is depicted in the "The Four Justices" painting by artist Nelson Shanks, along with Justices Elena Kagan, Sonia Sotomayor and Ruth Bader Ginsburg. On October 28, 2013, the National Portrait Gallery celebrated the arrival of Nelson Shanks’s "The Four Justices," a tribute to the four female justices who have served on the U.S. Supreme Court. The work is monumental; it measures approximately seven feet by five-and-a-half feet (in its custom-made frame it is almost nine-and-a-half feet by eight feet) and holds the west wall of the National Historic Landmark Building’s second-floor rotunda. Of the work, NPG Chief Curator Brandon Fortune noted, “The National Portrait Gallery is honored to have such an ambitious group portrait on loan to the museum.” The work is based on sittings the justices had with Shanks; the two senior justices are seated and the recent appointees standing. Although the logistics of bringing three active and one retired justice into his studio was challenging, Shanks prefers to draw from life, which he feels brings each sitter’s distinct presence into his work. “If you can imagine a painting—no matter how facile—that doesn’t show character, something is missing,” Shanks noted in an interview with NPG. “Representation of character is really what counts to me.” Only men had sat on the bench of the Supreme Court until President Ronald Reagan appointed Sandra Day O’Connor in 1981. After O’Connor, the next woman to receive an appointment was Ruth Bader Ginsburg, a nominee of President Bill Clinton in 1993. President Barack Obama appointed Justices Sonia Sotomayor and Elena Kagan. Ginsburg, Sotomayor, and Kagan are still on the bench; O’Connor retired in 2006. Shanks’s oil on canvas painting is on loan to the National Portrait Gallery from Ian and Annette Cumming; they have also loaned their portrait of mezzo-soprano Denyce Graves by Shanks to NPG. Shanks is also responsible for two presidential portraits in the Portrait Gallery’s permanent collection: one of President Reagan created in 1989, and one of President Clinton painted in 2005.
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